Although narrative elements have been seen in Nepalbhasa literature since ancient times, the emergence of minor epic (Khandakavya) came during the Renaissance with Siddhidass Mahaju's Satya Sati (Nepal Era 1033) minor epic. However, Siddhidass Mahaju did not fully adhere to the classical conventions of minor epics prevalent in Sanskrit literature. He composed the 'Satya Sati' minor epic in a problem-solving style within the social and cultural context of Nepal, making an ordinary woman the main character, without following the rule that the hero of a minor epic should be a god, king, brave hero, or historically famous person. After the 'Satya Sati' minor epic, he Dialogue also wrote another minor epic in a conversational style named 'Samvad'. After Siddhidass, the passion for writing minor epics was continued by poets during the prison era. Taking some story fragments from Ramayana and Mahabharata, works like Ratnadhwaj's 'Narad Moh', Fatte Bahadur Singh's 'A Story of Exile' (N.S. 1068), 'Khyu Ayodhya', Chittadhar Hridaya's– Babruvahana (N.S. 1069) were published. Similarly, taking Buddhist Jataka Avadan, Yogbir Singh's Lament of Queen Mandira, and Chittadhar's own Gautam Buddha, Dharma Ratna Yami's Donation of Vishvantara's Children (N. No. 1072) Adi Khandakavya Pidan. Dharmaratna Yamaya Reply from Tibet (N.E. 1071), Iswaranandaya Message (N. No. 1078) Khandkavya Prakasan Khandkavya Khylay Chagu Hupa: Hayabil. Eastern Manyatayat Palan Mayase Zhigu traditional society, Kwhangu Manyatayat Ulabigu Jya Thwayka: Pinigu Khandakavyayat Jugu du. Thwayka:Pinsam khandkavyaya Vivek Makhu progressive between: Bwayegu Madhyam Kathan Chhyalegu Yanadil. Modern age: Sanskrit tradition, Nala: Nepali language, short poetry, thematic measure, presentational form, and originality. Thwahe Jhwalay Satire on Social Distortion Anomaly Jahgu Madanmohan Misraya Gajiguluya Mhagasay Pashupatinath (AD No. 1095), Sita Haran (AD No. 1080), Ram Rajya (AD No. 1083) Bagmatia Khavasah (AD No. 1112), Thenjya:gu Khandakavya Pidan. Athehe Siddhicharan Shrestha Swachandavadi Pravritiyagu Lubhuni (N.S. 1111), Thirst (N.S. 1111), Uttara's Lament (N.S. 1114) such narrative poems were written, bringing a new experience to the field of Nepal Bhasa narrative poems. Not just numerically, but qualitatively, Nepal Bhasa narrative poems were made grand. Chittaranjan's Remembering Mother (N.S. 1071), My Father (N.S. 1129), narrative poem also falls under such a flow. In the field of Nepal Bhasa narrative poems, Mahakavi Girijaprasad Joshi Helcha (Indifference) (N.S. 1084), Buddha's Heart, Mantra (N.S. 1101) such public-oriented narrative poems were written, making him visible in this field. His Buddha's Heart (N.S. 1103) narrative poem was written with the aim of making even writers in the field of religion progressive. Helcha (Indifference) Even though it was given for the Best Narrative Poem Award competition, it has not yet been published in book form. In N.S. 1031, Janakavi Durgalal's Monk's Love narrative poem brought him into prominence in this field. After this, Rajbhai Jakarmi's Kharacha and Lion child narrative poem was published. In Nepal Bhasa, metrical poems The Composers While creators like Amog Tamrakar, Bhushanprasad Srestha, Labhratna Tuladhar, Rajbhai Jakarmi are not absent, the publication of narrative poems is very limited. Similarly, discussions and debates regarding narrative poems published in Nepal Bhasa are also very few.
